Illustrated Dictionary of British Churches - Gallery Definition
History and Architecture
- Aisle
- Altar
- Ambulatory
- Angel Roof
- Apophyge
- Apse
- Arcade
- Arch
- Archivolt
- Base
- Battlement
- Bay
- Belfry
- Bell Tower
- Bellcote
- Bench End
- Board Bell Turret
- Body
- Boss
- Box pew
- Bracket
- Broach Spire
- Buttress
- Canopy
- Capital
- Cartouche
- Chancel
- Chancel Arch
- Chancel Screen
- Chantry
- Chapel
- Chapter House
- Choir
- Clerestory
- Cloister
- Communion Rail
- Compound Column
- Consecration Cross
- Corbel Head
- Crossing
- Crypt
- Early English
- Easter Sepulchre
- Effigy
- Fan Vaulting
- Font
- Font cover
- Funerary Helm
- Gallery
- Gargoyle
- Gothic
- Green Man
- Grotesque
- Hatchment
- Herringbone
- Hogback Tomb
- Holy Water Stoup
- Hunky Punk
- Jesse Window
- Kempe Window
- Lady Chapel
- Lancet
- Lectern
- Lierne
- Lych Gate
- Misericord
- Monumental Brass
- Mullion
- Nave
- Ogee
- Organ
- Parclose Screen
- Parish Chest
- Pendant
- Perpendicular Gothic
- Pew
- Pinnacle
- Piscina
- Poor Box
- Poppy Head
- Porch
- Priest's Door
- Pulpit
- Purbeck Marble
- Quire
- Rebus
- Reliquary
- Reredos
- Retable
- Romanesque
- Rood
- Rood Loft
- Rood screen
- Rood Stair
- Rose Window
- Round Tower
- Sanctuary
- Sanctuary Knocker
- Saxon Period
- Scratch Dial
- Sedilia
- Spire
- Statue Niche
- Stoup
- Tomb Recess
- Tracery
- Transept
- Triforium
- Tympanum
- Undercroft
- Vaulting
- Victorian Gothic
- Wall Monument
- Wall Painting
- Wheel Window
Gallery
Generically speaking a gallery is a platform, raised above the church floor. Galleries were often located at the west end of the church, over the west door, and used to house musicians or singers performing during church services. For this reason they are sometimes called minstrel's galleries or musician's galleries. Uncommon during the medieval period, galleries came into use in the late 17th century. During Cromwell's Commmonwealth the playing of organs or similar instruments in churces was banned, and many organs were destroyed.
When singing and music was reintroduced during the Restoration period under Charles II, there was a shortage of organs, so local musicians joined forces and played during services. Galleries were built for the use of these musicians, often using wood from dismantled rood lofts and screens. When these musicians played, the congregation would turn to face the gallery. Organ playing once more gained popularity in the 18th century and many minstrel galleries were simply used as extra seating.
Kedington, Suffolk