
Castle Howard Guide - The HouseIt is difficult to know which
is more enjoyable to visit - the interior of Castle Howard, or the quite lovely
gardens and
grounds! Here we take a look at the major areas of the house that are open
to visitors. The
Dome The Dome is probably the most easily recognizable landmark
of the house at Castle Howard. Impressive from the outside, it is only when standing
beneath this extraordinarily airy and light baroque showpiece that you begin to
appreciate what a remarkable architectural achievement it is. The dome was completed
in 1706, and stands today as a testament to architect John Vanbrugh's vision.
The
Dome is 70 feet in height, a fact which cannot give a true impression of the remarkable
sense of spaciousness and light that it brings to the Great Hall below. The four
large painted figures at the meeting of the columns that support the Dome represent
the four elements; Earth, Fire, Air, and Water. They are by Giovanni Pellegrini,
who worked at Castle Howard from 1709 - 1712. The lavishly painted Dome tells
the allegorical tale of Phaeton, son of Apollo, who falls to earth from his father's
chariot. The
Dome was badly damaged by fire in 1940, a blaze which also destroyed some twenty
rooms of the house. It was over 20 years before the damage was repaired and the
dome restored.
Take note of the fireplace surround and the imposing niche
of Bacchus opposite. They were built by Italian workmen in 1711-1712 of scagliola,
a blend of plaster and marble. This represents one of the earliest known examples
in England of this technique, which was to later prove so popular in the Palladian
designs of Robert Adam. The
Antique Passage
One of the first places reached by visitors touring the house is the Antique Passage,
a corridor lined with classical antique statuary, primarily Roman. At the head
of the Antique Passage stands a large statue of the Roman goddess Fortuna.
As you progress down the dimly lit passage, you pass busts and statues
of classical figures, most of them gathered by the 4th Earl on a trip to Italy
(1738-1739). Most of the antiques are originals, dating to as early as the 2nd
century AD, but there are also several copies of original antique statuary. Lady
Georgiana's Bedroom One of the two formal
bedrooms on display to visitors, Lady Georgiana's Bedroom and the lovely dressing
room beside it, evoke the life and times of Lady Georgiana Howard (nee Cavendish).
Lady Georgiana, the daughter of the 5th Duke and Duchess of Devonshire, married
George Howard, later the 6th Earl of Carlisle, in 1801. In the 1830s these rooms
were part of the Earl and Countess' private apartments. Much of the furniture
pre-dates Lady Georgiana's arrival at Castle Howard, though most of the Howard
family portraits that encircle the room are contemporary to her life here. The
Castle Howard Bedroom The passage from Lady Georgiana's Bedroom
and dressing room leads to another dressing room and bedroom, this called simply
The Castle Howard Bedroom. Where Lady Georgiana's Bedroom is feminine in both
furnishings, and feel, the Castle Howard Bedroom is decidedly male. A deliciously
ornate set of ornate toiletries sits upon a sideboard, and the writing table is
drawn up, as if the resident of this room was about to sit down and pen a missive.
The
bedroom furniture (1777-1789), was especially commissioned by the 5th Earl. It
was made by John Linnell of a type of sandalwood imported from Brazil. The four
lamps that shed a little modern electric light on the older furnishings were built
in the same style as the earlier furniture. Queen Victoria is known to have
slept in the bed that graces the dressing room, when she visited Castle Howard
in 1850. The wallpaper was added in 1884 as part of a redecorating scheme by the
9th Countess. Brideshead Revisited
Exhibition The enduring popularity of the television production,
Brideshead Revisited, is recalled in this small exhibition. The room is decorated
as a dressing room for actors, with makeup, costumes, and camera equipment such
as that used during the filming of the series, which took place in 1981. Crimson
Dining Room This delightful room is notable for its collection
of fine furniture, art, and plate. Much of the molding is gilt, but over the north
door is a lovely frieze carved in plain wood, believed to be the work of Grinling
Gibbons. Several large landscapes, including a view of Venice by Canaletto, grace
the walls. These originally formed part of a collection of over 40 Venetian paintings
bought by the 4th Earl from 1730. The dining table is set with a Crown Derby dessert
service (1796 - 1801), decorated with botanical drawings.
Turquoise
Drawing Room The Crimson Dining Room leads into this lovely
room, filled with portraits by notable artists such as Gainsborough and Joshua
Reynolds. The settees and chairs are by John Linnell, who also made much of the
furniture in the Castle Howard Bedroom. The
Museum Room Not
a museum in the formal sense of the word, the Museum Room contains an eclectic
mixture of objets d'art, furniture, and furnishings collected over the centuries
by the Howard family. Here you will find objects as disparate as a child's wheelbarrow
and an ornate table topped with precious Blue John stone. The
Long Gallery Leading from the Museum Room
is the Long Gallery, a delightfully spacious corridor stretching 160 feet, and
lined with books, musical instruments, and fine furniture from across the globe.
The Long Gallery was built to a design by Charles Tatham, and has always been
used as a space to display some of the finest larger pieces of art and furnishings
in the Howard collection, as well as providing a place for indoor recreation in
inclement weather. There are some fine large landscape paintings, and numerous
smaller family portraits. The
Chapel The Howard family chapel, reached from the end of the
Long Gallery, has been in use since the late 18th century, but the chapel as it
exists today is largely the work of Lord Lanerton, brother of the 8th Earl.
Though
small, the chapel is quite lovely and evocative, with richly coloured stained
glass windows by Edward Burne-Jones shedding a soft light upon the interior furnishings.
Much of those furnishings are gilt, and colour is everywhere. For a quick look
at the chapel furnishings, see the Castle
Howard Photo Gallery.
© David Ross and Britain Express 2004 |